By Peter Stoneley, Cindy Weinstein
An authoritative advisor to American literature, this better half examines the experimental types, socio-cultural adjustments, literary activities, and significant authors of the early twentieth century. This better half presents authoritative and wide-ranging assistance on early twentieth-century American fiction.
- Considers more often than not studied authors comparable to Faulkner, Fitzgerald, and Hemingway, along key texts of the interval by way of Richard Wright, Charles Chesnutt, Zora Neale Hurston, and Anzia Yezierska
- Examines how the works of those diversified writers were interpreted of their personal day and the way present readings have improved our realizing in their cultural and literary importance
- Covers a huge diversity of issues, together with the 1st and moment global Wars, literary language adjustments, writer megastar, the city panorama, modernism, the Jazz Age, the good melancholy, regionalism, and African-American fiction
- Gives scholars the contextual details precious for formulating their very own opinions of vintage American fiction
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Extra info for A Concise Companion to American Fiction 1900 - 1950
The volume concludes with an analysis of creative “beliefs and practices” not normally discussed in the same breath as Eliot, Faulkner, and other high modernists. Rowe demonstrates that our understanding of modernism, in particular, is limited by arbitrary boundaries. Hence, his essay expands the notion of what might count as modernist, such as Native American Ghost Dances and Mario Suarez’s barrio ﬁction, and why they have not been counted. This last point is made by a recovery of the transnational aspects of texts, such as the anthropological writings of Zora Neale Hurston and the purposeful transgression of temporal borders.
Elliott and Jennifer A. Hughes racist national atmosphere. They did not have the luxury of describing, as Adams did, broken bodies in only metaphorical terms. The reality of the nation’s racism kept expectations in check regarding what work literary realism or any other genre could do for the cause against racist violence; nevertheless, an awareness of the need for counternarratives to racism compelled African American literary efforts. In other words, even though they may have been more guarded in their expectations, African American authors shared the reformist impulses of many of the writers associated with American realism.
Is not rapine rapine? ” Fiction becomes a battleground for claims of history; Chesnutt joined Hopkins and Dunbar in that battle with his 1901 historical romance The Marrow of Tradition. He already enjoyed a respectable literary reputation among a mixed audience for his two 1899 collections of framed short stories, The Conjure Woman and The Wife of His Youth. While these stories manipulated dialect, sentimentality, superstition, and humor to address slippery and difﬁcult issues of race relations in the postReconstruction South, they made no claim to address any speciﬁc historical event.
A Concise Companion to American Fiction 1900 - 1950 by Peter Stoneley, Cindy Weinstein